Varujan Boghosian

Varujan Yegan Boghosian (1926 New Britain, Connecticut – September 21, 2020) was an American artist, best known for his sculptures and assemblages. Since 1958 he had held teaching positions at the University of Florida, Cooper Union, Pratt Institute, Yale University, Brown University and Dartmouth College. At Dartmouth, Boghosian was a member of the art faculty from 1968 to 1995. He was awarded an endowed position as the George Frederick Jewett Professor of Art in 1982. Boghosian retired from Dartmouth in 1995 and had since continued his work as a practicing artist up until his death.

His work is in the public collections of Brooklyn Museum; University Art Museum of the University of California Berkeley; Indianapolis Museum of Art; The Metropolitan Museum of Art, Museum of Modern Art; New York Public Library; Whitney Museum of American Art; and the Provincetown Art Association and Museum, among many others. Notable retrospectives include a 1989 exhibition at the Hood Museum of Art at Dartmouth College and a 2013 exhibition at the Toledo Museum of Art.

In 1968, Boghosian began to exhibit with the historic Cordier & Ekstrom Gallery, Duchamp’s dealer in America. It was an ideal fit for Boghosian, as Arne Ekstrom’s distinctive style favored the union of art and literature. Cordier & Ekstrom put on far-reaching shows that gave the same attention to world-renowned artists as it did to those who were just emerging. Morris Louis and Isamu Noguchi were some of the artists who frequented the gallery and it was where Romare Bearden honed his style. The gallery’s circulating exhibition roster included such prominent names as Dubuffet, Matisse, Saul Steinberg, and Magritte. Boghosian developed a long-standing relationship with Arne Ekstrom and exhibited with the gallery well into the late 1980s.

Boghosian showed with the legendary Stable Gallery, founded by Eleanor Ward, consistently between 1963 and 1966. At this time, the Stable Gallery showcased various young and emerging artists including: Joseph Cornell, Alex Katz, Marisol Escobar, Joan Mitchell, Isamu Noguchi, Cy Twombly, Robert Rauschenberg, and Larry Rivers as well as Andy Warhol’s first one-man show. The unorthodox and experimental spirit of this time has remained with Boghosian and informed his developing relationship with the appropriation of everyday objects and their subsequent plastic manipulations.

Boghosian was then invited by Josef Albers to attend Yale University (1956–59), along with Irving Petlin, Boghosian had already received a number of accolades as well as a Fulbright Grant for Painting in Italy (1953) and in 1966, he was artist in residence at the American Academy in Rome. He was a 1985 Guggenheim fellow. He has taught at The Cooper Union (1959–64), Yale University (1962–64), Brown and Dartmouth College (1968–96).

Boghosian’s work began to be included in the thematic exhibitions at the Museum of Modern Art, the Whitney Museum of American Art, and the Art Institute of Chicago as early as 1954. He has also received numerous grants including a Fulbright, a Guggenheim Fellowship (1985), and residency at the American Academy in Rome with Philip Guston, and he has been an active member of the American Academy of Arts and Letters since 1968, and a National Academician of The National Academy of Design.

Beginning with the Swetzoff Gallery, Boston (1950–65), Boghosian has been actively exhibiting with over 75 one-man exhibitions including the Arts Club of Chicago (1970), The American Academy in Rome (1986), the Aldrich Museum of Contemporary Art (1988), the Norton Gallery of Art (1992), the Hood Art Museum, Dartmouth (1989), the Toledo Museum of Art (2013), and the Philadelphia Museum of Art (2018).

Boghosian served in the U.S. Navy, during World War II. Returning to the U.S in 1946 he was able to attend college on the G.I. Bill.