Age, Biography and Wiki

Lee Elias was born on 21 May, 1920 in Manchester, United Kingdom, is an artist. Discover Lee Elias’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is He in this year and how He spends money? Also learn how He earned most of networth at the age of 78 years old?

Popular As N/A
Occupation N/A
Age 78 years old
Zodiac Sign Taurus
Born 21 May 1920
Birthday 21 May
Birthplace Manchester, United Kingdom
Date of death (1998-04-08)
Died Place N/A
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 21 May.
He is a member of famous artist with the age 78 years old group.

Lee Elias Height, Weight & Measurements

At 78 years old, Lee Elias height not available right now. We will update Lee Elias’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
Body Measurements Not Available
Eye Color Not Available
Hair Color Not Available

Dating & Relationship status

He is currently single. He is not dating anyone. We don’t have much information about He’s past relationship and any previous engaged. According to our Database, He has no children.

Parents Not Available
Wife Not Available
Sibling Not Available
Children Not Available

Lee Elias Net Worth

His net worth has been growing significantly in 2022-2023. So, how much is Lee Elias worth at the age of 78 years old? Lee Elias’s income source is mostly from being a successful artist. He is from United Kingdom. We have estimated
Lee Elias’s net worth
, money, salary, income, and assets.

Net Worth in 2023 $1 Million – $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income artist

Lee Elias Social Network




Elias drew the “Green Arrow” backup feature in Adventure Comics and World’s Finest Comics from 1959 to 1964. He and writer Bob Haney co-created the supervillain Eclipso in House of Secrets #61 (August 1963). Elias only drew the first two appearances of the character and was succeeded on the feature by Alex Toth. His other work for DC in the 1960s included Cave Carson and Adam Strange. From the mid-1960s to the early 1970s, Elias returned to his native England. In 1972, Elias came back to American comic books, working mainly on DC’s various horror titles and secondary Marvel Comics titles including Power Man and The Human Fly. His last major project was The Rook series for Warren Publishing, a black-and-white time travel series which played to his strengths as a Western and science fiction artist. With the cancellation of The Rook in 1982, Elias retired from comics, though he continued teaching at the School of Visual Arts and The Kubert School.


It was Elias’s work on Black Cat, a stuntwoman turned crimefighter, for Harvey Comics, that stood out in this period. The series was praised by comics historian Trina Robbins for its “logical” and “straightforward” approach, in contrast to more fantasy-oriented titles like Wonder Woman. Elias worked both as a penciler and an inker in this series, with an art style largely influenced by artists such as Milton Caniff and Noel Sickles. Elias worked for a period as Caniff’s assistant. He used the same style for the comic book version of Terry and the Pirates, Caniff’s classic comic strip in the same period. Lee Elias left comic books after the 1954 publication of Fredric Wertham’s anti-comics book Seduction of the Innocent, which used four of his Black Cat panels as examples of “depraved” comic art.


Elias’ work on comic strips included a two-year stint as an assistant to Al Capp on Li’l Abner. His best known comic strip was Beyond Mars, which ran from 1952 to 1955 and was co-created by Elias and science fiction writer Jack Williamson. The strip was exclusive to the New York Daily News’ Sunday paper in the United States but was syndicated in Europe and Australia. It was the last Sunday strip to be color-engraved by hand, according to comic strip historian Rick Marschall.


After leaving Fiction House in 1946, he worked for several different comics companies, including Timely Comics, Hillman Periodicals, and National/DC where he worked on such characters as the Flash, Tommy Tomorrow, and Black Canary. He drew three issues of All Star Comics in 1947 and co-created the Fiddler and the original Star Sapphire with writer Robert Kanigher in All-Flash #32 (Dec. 1947).


Emigrating to the United States from Manchester, England, when he was a boy, Elias studied art at the Cooper Union and the Art Students League of New York. He started working in comics in 1943 at Fiction House, where his work included features such as “Captain Wings” in Wing Comics, on which he succeeded Bob Lubbers, as well as the Western hero Firehair.


Lee Elias (May 21, 1920 – April 8, 1998) was a British-American comics artist. He was best known for his work on the Black Cat comic book published by Harvey Comics in the 1940s.