Age, Biography and Wiki

Mary Gaskell was born on 9 July, 1912 in Chelsea, London, United Kingdom, is an English writer (1810–1865). Discover Mary Gaskell’s Biography, Age, Height, Physical Stats, Dating/Affairs, Family and career updates. Learn How rich is She in this year and how She spends money? Also learn how She earned most of Mary Gaskell networth?

Popular As N/A
Occupation actress
Age 89 years old
Zodiac Sign Cancer
Born 9 July 1912
Birthday 9 July
Birthplace Chelsea, London, United Kingdom
Date of death November 12, 1865
Died Place Holybourne, United Kingdom
Nationality United Kingdom

We recommend you to check the complete list of Famous People born on 9 July.
She is a member of famous Actress with the age 89 years old group.

Mary Gaskell Height, Weight & Measurements

At 89 years old, Mary Gaskell height not available right now. We will update Mary Gaskell’s Height, weight, Body Measurements, Eye Color, Hair Color, Shoe & Dress size soon as possible.

Physical Status
Height Not Available
Weight Not Available
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Who Is Mary Gaskell’s Husband?

Her husband is William Arthur Hayden Playfair (1938 – 1939) ( his death)

Family
Parents Not Available
Husband William Arthur Hayden Playfair (1938 – 1939) ( his death)
Sibling Not Available
Children MarianneMargaret Emily (Meta)Florence ElizabethWilliamJulia Bradford

Mary Gaskell Net Worth

Her net worth has been growing significantly in 2022-2023. So, how much is Mary Gaskell worth at the age of 89 years old? Mary Gaskell’s income source is mostly from being a successful Actress. She is from United Kingdom. We have estimated
Mary Gaskell’s net worth
, money, salary, income, and assets.

Net Worth in 2023 $1 Million – $5 Million
Salary in 2023 Under Review
Net Worth in 2022 Pending
Salary in 2022 Under Review
House Not Available
Cars Not Available
Source of Income Actress

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Timeline

2018

A bibliometric Mrs. Gaskell and me: Two Women, Two Love Stories, Two centuries Apart, by Nell Stevens was published in 2018.

2010

On 25 September 2010, a memorial to Elizabeth Gaskell was dedicated to Poets' Corner in Westminster Abbey. It takes the form of a panel in the Hubbard memorial window, above the tomb of Geoffrey Chaucer. The panel was dedicated by her great-great-great-granddaughter Sarah Prince and a wreath was laid.

2007

In her introduction to The Cambridge Companion to Elizabeth Gaskell (2007), a collection of essays representing the current Gaskell scholarship, Jill L. Matus stresses the author's growing stature in Victorian literary studies and how her innovative, versatile storytelling addressed the rapid changes during her lifetime.

1950

Gaskell's reputation from her death to the 1950s was epitomized by Lord David Cecil's assessment in Early Victorian Novelists (1934) that she was “all woman” and “makes a creditable effort to overcome her natural deficiencies but all in vain” (quoted in Stoneman, 1987, from Cecil, p. 235). A scathing unsigned review of North and South in The Leader accused Gaskell of making errors about Lancashire which a resident of Manchester would not make and said that a woman (or clergymen and women) could not “understand industrial problems”, would “know too little about the cotton industry” and had no “right to add to the confusion by writing about it”.

1935

She was an actress, known for Lazybones (1935) and I’ll Stick to You (1933). She was married to William Arthur Hayden Playfair.

1913

The house on Plymouth Grove remained in the Gaskell family until 1913, after which it stood empty and fell into disrepair. The University of Manchester acquired it in 1969 and in 2004 it was acquired by the Manchester Historic Buildings Trust, which then raised money to restore it. Exterior renovations were completed in 2011 and the house is now open to the public.

1912

Mary Gaskell was born on July 9, 1912 in Cardiff, Wales.

1858

and later in “The Manchester Marriage” [1858]:

1855

In June 1855 Patrick Brontë asked Gaskell to write a biography of his daughter Charlotte, and The Life of Charlotte Brontë was published in 1857. This played a significant role in developing Gaskell's own literary career. In the biography, Gaskell chose to focus more on Brontë as a woman than as a writer of Romantic fiction. In 1859 Gaskell traveled to Whitby to gather material for Sylvia's Lovers, which was published in 1863. Her novella Cousin Phyllis was serialized in The Cornhill Magazine from November 1863 to February 1864. The serialization of her last novel, Wives and Daughters, began in August 1864 in The Cornhill. She died of a heart attack in 1865, while visiting a house she had purchased in Holybourne, Hampshire. Wives and Daughters was published in book form in early 1866, first in the United States and then, ten days later, in Britain.

1854

Gaskell's style is notable for putting local dialect words into the mouths of middle-class characters and the narrator. In North and South Margaret Hale suggests redding up (tidying) the Bouchers' house and even offers jokingly to teach her mother words such as knobstick (strike-breaker). In 1854 she defended her use of dialect to express otherwise inexpressible concepts in a letter to Walter Savage Landor:

1850

In 1850 the Gaskells moved to a villa at 84 Plymouth Grove. She took her cow with her. For exercise, she would happily walk three miles to help another person in distress. In Manchester, Elizabeth wrote her remaining literary works, while her husband held welfare committees and tutored the poor in his study. The Gaskells' social circle included writers, journalists, religious dissenters, and social reformers such as William and Mary Howitt and Harriet Martineau. Poets, patrons of literature and writers such as Lord Houghton, Charles Dickens and John Ruskin visited Plymouth Grove, as did the American writers Harriet Beecher Stowe and Charles Eliot Norton, while the conductor Charles Hallé, who lived close by, taught piano to one of their daughters. Elizabeth's friend Charlotte Brontë stayed there three times, and on one occasion hid behind the drawing room curtains as she was too shy to meet the Gaskells' other visitors.

1848

Gaskell's first novel, Mary Barton, was published anonymously in 1848. The best-known of her remaining novels are Cranford (1853), North and South (1854), and Wives and Daughters (1865). She became popular for her writing, especially her ghost stories, aided by Charles Dickens, who published her work in his magazine Household Words. Her ghost stories are in the “Gothic” vein, making them quite distinct from her “industrial” fiction.

1844

A son, William, (1844–45), died in infancy, and this tragedy was the catalyst for Gaskell's first novel, Mary Barton. It was ready for publication in October 1848, shortly before they made the move south. It was an enormous success, selling thousands of copies. Ritchie called it a “great and remarkable sensation.” It was praised by Thomas Carlyle and Maria Edgeworth. She brought the teeming slums of manufacturing in Manchester alive to readers as yet unacquainted with crowded narrow alleyways. Her obvious depth of feeling was evident, while her turn of phrase and description was described as the greatest since Jane Austen.

1841

In July 1841 the Gaskells traveled to Belgium and Germany. German literature came to have a strong influence on her short stories, the first of which she published in 1847 as Libbie Marsh's Three Eras, in Howitt's Journal, under the pseudonym “Cotton Mather Mills”. But other influences including Adam Smith's Social Politics enabled a much wider understanding of the cultural milieu in which her works were set. Her second story printed under the pseudonym was The Sexton's Hero. And she made her last use of it in 1848, with the publication of her story Christmas Storms and Sunshine.

1835

In March 1835 Gaskell began a diary documenting the development of her daughter Marianne: she explored parenthood, the values she placed on her role as a mother; her faith, and, later, relations between Marianne and her sister, Meta. In 1836 she co-authored with her husband a cycle of poems, Sketches among the Poor, which was published in Blackwood's Magazine in January 1837. In 1840 William Howitt published Visits to Remarkable Places containing a contribution entitled Clopton Hall by “A Lady”, the first work was written and published solely by her. In April 1840 Howitt published The Rural Life of England, which included a second work titled Notes on Cheshire Customs.

1832

After leaving school at the age of 16, Elizabeth traveled to London to spend time with her Holland cousins. She also spent some time in Newcastle upon Tyne (with the Rev William Turner's family) and from there made the journey to Edinburgh. Her stepmother's brother was the miniature artist William John Thomson, who in 1832 painted a portrait of Elizabeth Gaskell in Manchester (see top right). A bust was sculpted by David Dunbar at the same time.

1821

From 1821 to 1826 she attended a school run by the Misses Byerley at Barford House and afterward at Avonbank in Stratford-on-Avon, where she received the traditional education in arts, the classics, decorum and propriety given to young ladies from relatively wealthy families at the time. Her aunts gave her the classics to read, and she was encouraged by her father in her studies and writing. Her brother John sent her modern books, and descriptions of his life at sea and his experiences abroad.

1814

Her father remarried, to Catherine Thomson, in 1814. They had a son, William, in 1815, and a daughter, Catherine, in 1816. Although Elizabeth spent several years without seeing her father, to whom she was devoted, her older brother John often visited her in Knutsford. John was destined for the Royal Navy from an early age, like his grandfathers and uncles, but he did not obtain preferment into the Service and had to join the Merchant Navy with the East India Company's fleet. John went missing in 1827 during an expedition to India.

1810

Elizabeth Cleghorn Gaskell (née Stevenson; 29 September 1810 – 12 November 1865), often referred to as Mrs Gaskell, was an English novelist, biographer and short story writer. Her novels offer a detailed portrait of the lives of many strata of Victorian society, including the very poor. Her work is of interest to social historians as well as readers of literature. Her first novel, Mary Barton, was published in 1848. Gaskell's The Life of Charlotte Brontë, published in 1857, was the first biography of Charlotte Brontë. In this biography, she wrote only of the moral, sophisticated things in Brontë’s life; the rest she left out, deciding that certain, more salacious aspects were better kept hidden. Among Gaskell's best known novels are Cranford (1851–53), North and South (1854–55), and Wives and Daughters (1865), each having been adapted for television by the BBC.